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Lot k (20) GAY PULP MAGNETS His69 Paperback Cover 1960s 1970s 1980s Vintage Beefcake Physique Muscle
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This is a complete set of 20 magnets (or pins) featuring the covers of gay and erotic pulp paperback books from the HIS69 series featuring the drawings of muscular, masculine men with bulges in all the right places. They are 1-1/4" in diameter. (They can also be made as buttons / pins / pin-backs.) STAR DISTRIBUTORS published dozens of these verbiage-only novels in the 1960's, 1970's & early 1980's. They were usually pocket-sized about 6¾" - 7¾" tall & had illustrations of "Hot Beefy Hunks" and "Young Studs" on the cover.
Who needs boring refrigerator magnets when you can glance at these every time you reach for a beer or a glass of boxed wine. Dress up (or down) your office file cabinets, work bench, heavy duty lunch box, hot rod or anything metal with a little conversation starter?
A LITTLE HISTORY: Much of the cover art featured on gay pulp novels is amateurish and likely produced in rapid order, though notable covers are not uncommon with a number of illustrations clearly produced in the style of iconic gay illustrator TOM OF FINLAND. Other significant artists of the period include gay illustrators REX, CRAIG ESPOSITO, HARRY BUSH, ADAM and CARL CORLEY, along with remarkable mainstream illustrators ROBERT BONFILS, BILL ALEXANDER and GENE BILBREW.
Gay pulp paperbacks existed before the 1960s but their popularity and distribution was limited despite the explosion of the cheap format following World War II. While the lax stance on censorship due to the vast output by publishers and the perceived “low-brow” nature of the material allowed for some homosexual themes or subtexts, most such novels were rare, unlike lesbian novels which found mainstream appeal with both women and men. Earlier stories or novels on gay themes had to be dressed up in the trappings of respectability, typically with protagonist harboring bisexual conflicts that ended with them overcoming their “affliction” or succumbing to it with the resultant social and professional ruin or death.
As the popularity of the gay paperback increased in step with the decline in publisher’s concerns about prosecution, the subject matter began to expand. To stand out in the increasingly crowded market and to meet the varying tastes of their readership, publishers began adopting specialized genres such as BDSM, older and younger men together, interracial relationships, and roleplaying (bikers, sailors, soldiers, etc.). While explicit sexually remained the driving force in many of these stories, some began to take on additions dimensions with the emergence of genres such westerns, detective fiction, spy thrillers, war stories, and tales of prison and Richard Amory’s hugely popular and influential Loon Trilogy, set during the historical Old West and featuring Native American characters.
The 20 covers featured on these magnets of "HIS 69" pulp paperbacks are:
Boot-Camp Trick
Coachsuckers
First-time Chicken
Virgin Island
Hard Courses
Tag Team Target
Hey, Coach!
Biker in Bondage
Ski Lodge Studs
Summer Sex Mates
Leather Slaves
Adventures of a High School Jock
Cock Sharing
Punk Chicken
Donny Does Dallas
Star Stud
Private Parts
Slave Quarters
All Day Sucker
Who needs boring refrigerator magnets when you can glance at these every time you reach for a beer or a glass of boxed wine. Dress up (or down) your office file cabinets, work bench, heavy duty lunch box, hot rod or anything metal with a little conversation starter?
A LITTLE HISTORY: Much of the cover art featured on gay pulp novels is amateurish and likely produced in rapid order, though notable covers are not uncommon with a number of illustrations clearly produced in the style of iconic gay illustrator TOM OF FINLAND. Other significant artists of the period include gay illustrators REX, CRAIG ESPOSITO, HARRY BUSH, ADAM and CARL CORLEY, along with remarkable mainstream illustrators ROBERT BONFILS, BILL ALEXANDER and GENE BILBREW.
Gay pulp paperbacks existed before the 1960s but their popularity and distribution was limited despite the explosion of the cheap format following World War II. While the lax stance on censorship due to the vast output by publishers and the perceived “low-brow” nature of the material allowed for some homosexual themes or subtexts, most such novels were rare, unlike lesbian novels which found mainstream appeal with both women and men. Earlier stories or novels on gay themes had to be dressed up in the trappings of respectability, typically with protagonist harboring bisexual conflicts that ended with them overcoming their “affliction” or succumbing to it with the resultant social and professional ruin or death.
As the popularity of the gay paperback increased in step with the decline in publisher’s concerns about prosecution, the subject matter began to expand. To stand out in the increasingly crowded market and to meet the varying tastes of their readership, publishers began adopting specialized genres such as BDSM, older and younger men together, interracial relationships, and roleplaying (bikers, sailors, soldiers, etc.). While explicit sexually remained the driving force in many of these stories, some began to take on additions dimensions with the emergence of genres such westerns, detective fiction, spy thrillers, war stories, and tales of prison and Richard Amory’s hugely popular and influential Loon Trilogy, set during the historical Old West and featuring Native American characters.
The 20 covers featured on these magnets of "HIS 69" pulp paperbacks are:
Boot-Camp Trick
Coachsuckers
First-time Chicken
Virgin Island
Hard Courses
Tag Team Target
Hey, Coach!
Biker in Bondage
Ski Lodge Studs
Summer Sex Mates
Leather Slaves
Adventures of a High School Jock
Cock Sharing
Punk Chicken
Donny Does Dallas
Star Stud
Private Parts
Slave Quarters
All Day Sucker
