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BAROQUE CONCERTOS
MARRINER,NEVILLE The concerto was established as a form of composition in the Baroque period. Starting from a form called Concerto grosso introduced by Arcangelo Corelli, it evolved into the form we understand today as performance of a soloist with/against an orchestra.
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Recorded: England
Title: Baroque Concertos
Works: Avison; Manfredini; Albinoni; Handel and Telemann
Artists: Academy of St. Martin-in-the-Fields - Neville Marriner, conductor
Dates: 1982 production
The main composers of concerti of the baroque were: Tommaso Albinoni, Antonio Vivaldi, Georg Philipp Telemann, Johann Sebastian Bach, George Frideric Handel, Pietro Locatelli, Giuseppe Tartini, Francesco Geminiani and Johann Joachim Quantz. The concerto was intended as a composition typical of the Italian style of the time, and all the composers were studying how to compose in the Italian fashion (all'italiana).
The baroque concerto was mainly for a string instrument (violin, viola, cello, seldom viola d'amore or harp) or a wind instrument (oboe, trumpet, flute, recorder, horn, clarinet).
During the baroque period, before the invention of the piano, keyboard concertos were comparatively rare, with the exception of the organ and some harpsichord concertos by Johann Sebastian Bach. As the harpsichord evolved into the fortepiano, and in the end to the modern piano, the increased volume and the richer sound of the new instrument allowed the keyboard instrument to better compete with a full orchestra.
MARRINER,NEVILLE The concerto was established as a form of composition in the Baroque period. Starting from a form called Concerto grosso introduced by Arcangelo Corelli, it evolved into the form we understand today as performance of a soloist with/against an orchestra.
cond cover vg+ / media vg++
Recorded: England
Title: Baroque Concertos
Works: Avison; Manfredini; Albinoni; Handel and Telemann
Artists: Academy of St. Martin-in-the-Fields - Neville Marriner, conductor
Dates: 1982 production
The main composers of concerti of the baroque were: Tommaso Albinoni, Antonio Vivaldi, Georg Philipp Telemann, Johann Sebastian Bach, George Frideric Handel, Pietro Locatelli, Giuseppe Tartini, Francesco Geminiani and Johann Joachim Quantz. The concerto was intended as a composition typical of the Italian style of the time, and all the composers were studying how to compose in the Italian fashion (all'italiana).
The baroque concerto was mainly for a string instrument (violin, viola, cello, seldom viola d'amore or harp) or a wind instrument (oboe, trumpet, flute, recorder, horn, clarinet).
During the baroque period, before the invention of the piano, keyboard concertos were comparatively rare, with the exception of the organ and some harpsichord concertos by Johann Sebastian Bach. As the harpsichord evolved into the fortepiano, and in the end to the modern piano, the increased volume and the richer sound of the new instrument allowed the keyboard instrument to better compete with a full orchestra.
