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LOST TRIBE SOULFISH '94 Windham Hill POSTER JAZZ FUSION
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LOST TRIBE SOULFISH Promo PosterCategory / Style / Moods: Jazz Fusion New Age/ 9.77 S RN: 29651994 17" X 22" WINDHAM HILL JAZZ PROMO POSTERLOST TRIBE SOULFISHCONDITION: EXCELLENT 8 OF 10 OR BETTER(MINOR HANDLING AND EDGE DINGS IF ANY)TOUGH TO FIND PROMOTIONAL ONLYClick the pix to get a better lookTRACKS:1.Walkabout6:012.Whodonit4:493.It's Not What It Is5:024.Daze of Ol'3:295.Room of Life6:466.Steel Orchards5:437.La Fontaine5:288.Second Story5:359.Planet Rock5:0410.Fuzzy Logic4:0711.H5:31Biography by Bill Meredith Lost Tribe didn't so much start out as a band but as a collective of excellent studio musicians working on the side. Like the 1970s British group Brand X (Phil Collins' jazz fusion alter ego getaway from Genesis), Lost Tribe became a melting pot of the styles popular in the 1990s, mixing rhythmic jazz and rock with even some hip-hop elements. Saxophonist David Binney's sparse lines and the twin-guitar assault of Adam Rogers and David Gilmore blended above the rhythmic muscle of bassist Fima Ephron and drummer Ben Perowsky on Lost Tribe's self-titled 1993 debut CD. Most of the music was instrumental, but the occasional rap track ("Letter to the Editor") and chanted vocal ("Mofungo") provided a changeup between dizzying jazz fusion pieces like "Mythology" and "Cause & Effect." The group's 1994 follow-up, Soulfish, was even harder-edged without losing any rhythmic focus. Perowsky's thunderous drumming on "Whodunit" and the guitar interplay on "Second Story," "Planet Rock," and "Fuzzy Logic" made for a nouveau fusion of funk and metal. But just as a collective from the rap-jazz-opera hybrid the Screaming Headless Torsos (Ephron), jazz fusion guitarist Mike Stern (Perowsky) and African-influenced jazz saxophonist Steve Coleman (Gilmore) was required for Lost Tribe's elemental sound, the nature of the session musicians' beast had to signal an eventual slowdown. Binney released solo CDs and Rogers focused on freelance work while Ephron, Perowsky, and Gilmore (ever-confused with Pink Floyd guitarist David Gilmour) toured and recorded elsewhere over the next four years. By the time Lost Tribe released Many Lifetimes in 1998, Gilmore had left the band, as much to pursue teaching as playing. The titles alone ("The River," "Kyoto," "Jordan") signaled a kinder, gentler, and more melodic Lost Tribe -- but not without fiery moments, especially from Ephron and Perowsky. Adding percussion and Fender Rhodes electric piano to his regular duties on Many Lifetimes, the regular touring drummer for Stern shows why there's no road -- letdown after the guitarist records with virtuosos like Dennis Chambers or Vinnie Colaiuta. And the spectacular yet virtually unknown bassist is now a part of both guitarist David Fiuczynski's vocal (Screaming Headless Torsos) and instrumental (Headless Torsos) groups, so there's no telling when Lost Tribe will be in session (in the studio or on stage) again. Review by David R. Adler Lost Tribe's provocative mix of jazz, funk, progressive rock, heavy metal, and hip-hop is well represented on this 1994 disc. There are moments during "It's Not What It Is" when the '80s rock stylings of Living Color come to mind. Other tracks, such as "Second Story" and "Fuzzy Logic," recall the frenetic, rap-influenced sound of early Steve Coleman and Five Elements. Guitarist Adam Rogers and saxophonist David Binney seem to be the resident metalheads -- witness Rogers' crushing "Steel Orchards" and Binney's avant-thrash composition "H." Former Five Elements guitarist David Gilmore joins Rogers throughout the disc, making for some hot dual guitar work. Bassist Fima Ephron lays down rap vocals on his own "Walkabout," as does drummer Ben Perowsky on his own, less convincing "Daze of Ol'." On a mellower note, "Room of Life" and "La Fontaine" feature a more harmonically colorful side of the band.This exquisite slice of retro Rock'n'Roll Americana history is an original first and only print single sheet paper promotional advertisement (A.K.A. handbill or flyer) for a music recording as released on CD, LP and/or cassette. A Sound Deal does not sell poster re-prints, scans or duplications of any kind, so please don't ask. Add me to your favorites for red hot sales bulletins and sneak previews of upcoming products. Combine Items to Save $$$!!! Click here to check the store for more!©A Sound Deal



