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JOHN SCOFIELD VERNON REID Texas Gig POSTER jazz funk
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JOHN SCOFIELD BANDVERNON REID & MASQUE200011" x 17" CONCERT POSTERFORMAT: MEDIUM-HEAVY STOCKVENUE: ANTONE'S NIGHT CLUBLOCATION: AUSTIN, TEXASPOSTER ARTIST: RICHARD LUCKETTCONDITION:EXCELLENT 8of 10 OR BETTERHARD TO FIND AUTHENTIC ORIGINAL ONLYClick the pix for larger images Biographyby Scott YanowOne of the "big three" of current jazz guitarists (along with Pat Metheny and Bill Frisell), John Scofield's influence grew in the '90s. Possessor of a very distinctive rock-oriented sound that is often a bit distorted, Scofield is a masterful jazz improviser whose music generally falls somewhere between post-bop, fusion, and soul jazz. He started on guitar while at high school in Connecticut, and from 1970-1973 Scofield studied at Berklee and played in the Boston area. After recording with Gerry Mulligan and Chet Baker at Carnegie Hall, Scofield was a member of the Billy Cobham-George Duke band for two years. In 1977 he recorded with Charles Mingus, and later joined the Gary Burton quartet and Dave Liebman's quintet. His own early sessions as a leader were funk-oriented. During 1982-1985 Scofield toured the world and recorded with Miles Davis. Since that time he has led his own groups, played with Bass Desires, and recorded frequently as a leader for Gramavision and Blue Note, using such major players as Charlie Haden, Jack DeJohnette, Joe Lovano, and Eddie Harris.Scofield started a long-term relationship with the Verve label in 1996 with his acoustic album Quiet. He cut the funky A Go Go with Medeski, Martin & Wood in 1997 while 2000's Bump featured members of Sex Mob, Soul Coughing, and Deep Banana Blackout. 2001's Works for Me featured a more traditional jazz sound, but for 2002's Uberjam and 2003's Up All Night, he was back to playing fusion. Drummer Bill Stewart and bassist Steve Swallow rounded out the John Scofield Trio for 2004's cerebral and complex live album EnRoute. In 2005, Scofield paid tribute to legendary soul man Ray Charles with That's What I Say. Biographyby Steve Huey and Thom JurekAs the lead guitarist of Living Colour and a co-founder of the Black Rock Coalition, Vernon Reid has done a great deal to undermine stereotypical expectations of what music black artists ought to play; his rampant eclecticism encompasses everything from hard rock and punk to funk, R&B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well. Born in London, Reid and his family emigrated to Brooklyn while he was a child; he began playing guitar at age 15, initially studying jazz and progressing quickly. In 1980, he joined drummer Ronald Shannon Jackson's Decoding Society, a cutting-edge jazz group with whom he appeared on six albums; over the course of the decade, Reid went on to work with a wide variety of experimental musicians -- Defunkt, Bill Frisell, John Zorn, Arto Lindsay, and Public Enemy, among others.Around 1983, Reid formed the first version of what was to become Living Colour; in 1985, with journalist Greg Tate, he formed the Black Rock Coalition, an organization devoted to opening doors in the music business for black musicians who were not content being confined to the roles of soul crooner or rapper. Living Colour did not really begin to jell until their lineup stabilized in 1986, and when Mick Jagger saw the group perform at CBGB's and invited them to appear on his Primitive Cool album. Jagger went even further, producing two demo tracks and helping to convince Epic to sign the group. Living Colour debuted to massive critical acclaim in 1988 with Vivid; the group lasted through Time's Up (1990) and Stain (1993) before disbanding in 1995. Reid has continued to make periodic appearances on others' recordings, and in 1996, he issued his solo debut, Mistaken Identity. He resurfaced in 2002 as one half of Yohimbe Brothers, a duo also featuring DJ Logic. The two released the Front End Lifter album in September and subsequently toured the United States throughout October. They issued a followup in 2004 on Thirsty Ear entitled The Tao Of Yo.eid has remained active as both a session guitarist and as a producer, most notably on James Blood Ulmer's recordings since 2001 beginning with Memphis Blood: The Sun Sessions in 2001 and continuing through 2003's No Escape From the Blues: The Electric Lady Sessions, 2004's Birthright and Bad Blood in the City: The Piety Street Sessions in 2007. Also in 2007, Reid, bassist Jamaaladeen Tacuma, and drummer Grant Calvin Weston played a get-together for the closing of New York's Tonic performance space. The show went well enough for the trio form a band called the Free Form Funky Freqs; their drbut album, Urban Mythology: Volume One was released as part of Thirsty Ear's Blue Series in February of 2008. .This is an original single sheet printed paper poster advertisement (A.K.A. handbill, flyer or print) for a concert performance gig by professional musicians at a music venue. Guaranteed original and authentic, printed prior to, and in conjunction with the promotion of the event. A Sound Deal does not sell poster re-prints, scans or duplications of any kind, so please don't ask. Sign up for the newsletter for red hot sales bulletins and sneak previews of upcoming products. Combine items save $$$!!!©A Sound Deal



