PRIMUS COWS Arminski Silkscreen '96 Gig HANDBILL Poster

/ 77 S IN: / RN: 2474SILKSCREEN HANDBILL ON MEDIUM-HEAVY STOCKPOSTER ARTIST: MARK ARMINSKIAPPROXIMATE SIZE (IN INCHES): 4.25" X 8.5"PERFORMERS: PRIMUSCOWSVENUE/LOCATION: Roseland Ballroom (New York, NY)DATE: Apr 16, 1996CONDITION: EXCELLENT - 9 OF 10 OR BETTERHARD TO FIND LIMITED ORIGINALONLY PRINTBiographyby Stephen Thomas Erlewine & Greg Prato Primus is all about Les Claypool; there isn't a moment on any of their records where his bass isn't the main focal point of the music, with his vocals acting as a bizarre side-show. Which isn't to deny guitarist Larry LaLonde or drummer Tim "Herb" Alexander any credit; no drummer could weave in and around Claypool's convoluted patterns as effortlessly as Alexander, and few guitarists would willingly push the spotlight away, like LaLonde does, just to can produce a never-ending spiral of avant-noise. All of this means that they are miles away from being another punk-funk combo like the Red Hot Chili Peppers; Claypool may slap and pop his bass, but there is little funk in the rhythm he and Alexander lay down. Instead, they're a post-punk Rush spiked with the sensibility and humor of Frank Zappa. Primus' songs are secondary to showcasing their instrumental prowess. Their music is willfully weird and experimental, yet it's not alienating; the band was able to turn their goofy weirdness into pop stardom. At first, the band was strictly an underground phenomenon, but in the years between their third and fourth albums, their cult grew rapidly. 1991's Sailing the Seas of Cheese went gold shortly before the release of Pork Soda. By the time of the album's 1993 release, Primus had enough devoted fans to make Pork Soda debut in the Top Ten. After touring for a year -- including a headlining spot on Lollapalooza 1993 -- Claypool revived his Prawn Song record label in 1994 and released a reunion record by Primus' original lineup under the name Sausage. In the summer of 1995, Primus released their fifth album, Tales From the Punch Bowl. It was another success, going gold before the end of the year. In the summer of 1996, Primus announced they were parting ways with their drummer, Tim Alexander. He was replaced by Brian "Brain" Mantia, who made his debut on The Brown Album, which was released in the summer of 1997. The covers EP Rhinoplasty followed in 1998, and a year later, Primus returned with Antipop. Antipop was a departure from previous Primus albums, as different producers were used on almost each track (including such notables as Rage Against the Machine's Tom Morello, Limp Bizkit's Fred Durst, Tom Waits, South Park creator Matt Stone, and former Police drummer Stewart Copeland) and it featured such guest artists as Metallica's James Hetfield and former Faith No More guitarist Jim Martin. After a supporting tour wrapped up in 2000, Mantia left the band to join Guns N' Roses. Claypool talked about reuniting with former drummer Tim "Herb" Alexander in the press, but shortly afterward announced that Primus was going on indefinite hiatus. During the ensuing break, Claypool focused on recording the debut album by his side project, Oyster Head (who also included Copeland and Phish guitarist Trey Anastasio), as well as releasing his two-part solo outing, Live Frogs: Set 1 and Set 2. Biographyby John Dougan Longtime denizens of the Minneapolis rock scene, the Cows are one of America's great degenerate punk rock bands. Starting off as near-total incompetents, they have become more technically polished musicians during the '90s, but their white-hot noise rock has not been tamed one bit. In many ways, the Cows remain as gloriously messy, primitive, and exciting as they were the day they started. Formed in the mid-'80s by idiosyncratic lead singer Shannon Selberg, the Cows appropriated the hardcore guitar blur that characterized fellow-Twin Citians Hüsker Dü, but stripped away any and all concessions to melodies, hooks, riffs -- essentially anything that remotely resembled pop. What they offered was a blazing wall of distortion that was punk rock at its crudest; a feral racket that sounded as if the guitars were being played with metal files. Above the din was Selberg, free-associating surreal vignettes about, well, God knows what, but his squealing, shrieking, and general lunacy provided the bizarre, often engaging, focus. He plays trumpet, too -- well, not so much plays as blasts a note or two when he's tired of ranting. After the release of their first album in 1987, the Cows were roundly derided as a talentless, tasteless joke (a charge that would be leveled a few years later against Babes in Toyland). However, they've stayed true to their anti-commercial stance and punk roots, releasing a handful of weird, loud, gleefully unhinged records that seem to get better (i.e., more focused and less obtuse) and retain the band's devotion to mania.This is an original single sheet printed paper poster advertisement (A.K.A. handbill, flyer or print) for a concert performance gig by professional musicians at a music venue. Guaranteed original and authentic, printed prior to, and in conjunction with the promotion of the event. 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