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$30.27 On Hold

MEMBRANES Crack House SEALED'83 UK Punk LP Out of Print

MEMBRANES Crack House SEALED'83 UK Punk LP Out of Print
  • MEMBRANES Crack House SEALED'83 UK Punk LP Out of Print
  • MEMBRANES Crack House SEALED'83 UK Punk LP Out of Print

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MEMBRANES, THE CRACK HOUSE LPCategory / Style / Moods: Rock * American Underground * Hardcore Punk / 37.77 S1983 UK CRIMINAL LPTITLE: CRACK HOUSEARTIST: MEMBRANES, THECONDITIONVINYL: STILL SEALED, AS NEW!!COVER: VG OR BETTER- SOME SHRINK MISSING IN FRONTClick here for info on grading and abbreviationsFactory SealedLONG OUT OF PRINT! 1983 mini LP Crack House (Criminal Damage) mini album Get Ahead, Myths And legends, Kafka's Dad,The Throat, Attraction For The Easy Life The six-song Crack House, done as a bass/guitar/drums trio, finds the Membranes nearing their creative peak, shooting out jagged, tense jazz-tinged punk — ugly, abrasive, ambitious and gripping — as well as more accessible droney rock. Biography by John Dougan A Membranes memory: About 12 years ago I saw the Membranes perform at a tiny club in Minneapolis. The crowd was small, mostly Anglophile punk rock obsessives and local scene makers looking for a buzz, most of them somewhat familiar with the Membrane's particular brand of assaultive music. After taking the stage to little or no fanfare, the bands plowed through maybe a dozen or so songs, each one noisier and faster (or so it seemed) than the one before. After about an hour I looked around the club to find it nearly deserted. I don't remember the band being angry over this development, quite the contrary, it was as if the gig went according to plan. This little trip down memory lane is intended to provide some insight on the Membranes' music, that is to say, it ain't for everyone. For those with a more traditional, tuneful approach to rock and pop, the cacophony offered up by this trio from Blackpool, England will feel like a brick to the noggin. It doesn't always work, a session with these yobs can be strident and monotonous, but in spite of their near total disregard for the pop music and all that goes with it, the Membranes managed to make some muscular, noisy, and thoroughly enjoyable pop music. Anchored by bassist/guitarist/vocalist John Robb, who also published a punk zine called Rox, the Membranes began recording in the early 1980s creating dissonant, rhythmically forceful song shards that were a noisy antithesis to new wave pop. In fact, had their records been more widely circulated, it's not unreasonable to think that the Membranes would have mentioned in the same breath as the Gang of Four or the Mekons (interestingly, Mekon Jon Langford befriended and produced the Membranes). It wasn't until 1985 that the band released an EP entitled Death to Trad Rock, a howling chunk of extreme noise damage with a jackhammer backbeat that lived up to its title. It didn't make them pop stars (not that they wanted to be) but it did make them the underground band of the moment, and the attendant notoriety got them a spot on the hip indie label Creation. The resulting LP, humorously titled The Gift of Life was even more intense and incoherent. Crashing, bashing, screaming and yelling it's a definite room clearer, there's hardly a moment on the record that isn't abrasive and confrontational. This willful defiance has its moments, but it's a hard slog. This hurricane of noise rock became the Membranes' calling card and for the rest of their career, which ran until roughly the early 90s. They would abruptly switch gears and record something totally unexpected, such as the tuneful, synth-driven EP Everything's Brilliant (produced by Jon Langford), or their best record, 1988's Songs of Love and Fury. It was no surprise that on their last U.S. release, Kiss Ass Godhead, a return to the furious noise of The Gift of Life, they worked with then-Big Black noisemeister and all-around cranky underground rock guy Steve Albini. These days Albini is producing Robert Plant and Jimmy Page, as for the Membranes, they remain an interesting, albeit minor, part of the story of British post-punk. It should be mentioned that the most consistently wonderful thing about Membranes' records was the artwork of Simon Clegg -- where is he now?This exquisite piece of retro music history is a vinyl sound recording (not a CD). Visit the A Sound Deal store for information on grading, shipping, abbreviations and general info.Add me to your favorites for red hot sales bulletins and sneak previews of upcoming products. Click here for more info on grading and abbreviationsCombine Items to Save $$$ ---Click here to check the store for more!©A Sound Deal
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