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Bronze Sculpture, 'Horse and Swallow'
More than 10 available, 1 sold
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Condition: Brand new
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"The galloping horse with right hind foot on a swallow" is a famous cultural relic from the Eastern Han Dynasty (25 ~ 220). It is now the symbol of China tourism. The neighing horse is galloping with its tail raised. Three of its hooves are in the air and its hind right hoof treads on a flying swallow which looks back in horror. Chinese ancient artisans combined realism and romanticism, and ingeniously integrated the galloping horse and flying swallow using rich imagination, original concepts and skillful craftsmanship. The romantic image of the swallow sets off the power and strength of the horse, instilling a rich, imaginative experience in viewers. Judging from the sculpture's accurate balance, the gravity center must have been rigorously calculated. Mechanical analyses indicate that Bronze Galloping Horse finds a center of gravity in the swallow, which gives the statue its stability. Some experts also say this horse statue was used as a model for finding the perfect steed.
www.galleriapangea.com
Three main categories of bronze artifacts exist: ritual vessels, luxury items and sometimes placed in tombs and weapons. Production quality peaked in the late Shang (B.C. 1600~B.C.1100) period. One characteristic form was the Jue, a ritual vessel standing on three legs, apparently intended for the warming of wine. The surfaces of most ritual vessels were commonly covered with stylized surface decoration. The most common motif was a mythical creature lacking a lower jaw known as the taotie mask. Many vessels carried inscriptions indicating why they had been cast and explaining their intended use.
Our bronze replicas are made with the same lost wax method as the Shang artisans used thousands of years ago. Each item is modeled off the historical relic. Some original size products?molds are from the original relics provided by Zhou Yuan Bronze Museum.
www.galleriapangea.com
Three main categories of bronze artifacts exist: ritual vessels, luxury items and sometimes placed in tombs and weapons. Production quality peaked in the late Shang (B.C. 1600~B.C.1100) period. One characteristic form was the Jue, a ritual vessel standing on three legs, apparently intended for the warming of wine. The surfaces of most ritual vessels were commonly covered with stylized surface decoration. The most common motif was a mythical creature lacking a lower jaw known as the taotie mask. Many vessels carried inscriptions indicating why they had been cast and explaining their intended use.
Our bronze replicas are made with the same lost wax method as the Shang artisans used thousands of years ago. Each item is modeled off the historical relic. Some original size products?molds are from the original relics provided by Zhou Yuan Bronze Museum.



