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cannonball adderley quintet in chicago / sr60134
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JULIAN CANNONBALL ADDERLEY (Leader-Alto Sax)
JOHN COLTRANE (Tenor Sax)
WYNTON KELLY (Piano)
PAUL CHAMBERS (Bass)
JIMMY COBB (Drums)
LIMEHOUSE BLUES (Furber-Braham) Harms, Inc. (ASCAP) 4:39.
STARS FELL ON ALABAMA (Prank Perkins & Mitchell Parish) Mills Music, Inc. (ASCAP) 6:15.
WABASH (Julian Adderley) Pure Music (BMI) 5:44.
GRAND CENTRAL (John Coltrane) Jowcol Music, Inc.(BMI) 4:33.
YOU'RE A WEAVER OF DREAMS (Victor Young & Jack Elliott) Kassner Music (ASCAP) 5:31.
THE SLEEPER (John Coltrane) Jowcol Music, Inc. (BMI) 7:15.
Recorded in Chicago , Universal Studio , February 3,1959
This session was cut while all the above were sidemen working with Miles Davis' group at the Sutherland Hotel in 1959!
The need to feel ten feet tall. This is a malady which plagues men in general and great musicians in particular. No reputable jazzmam wants to set tiny feet inside the footprints left by others. Rather he seeks to stand straight and stamp his own mark. For the last five years, one alto man has been the object of much examination and cross-examination. He has been discarded as a rank imitator of the great "Yardbird" and he has been hailed as the greatest living exponent of the alto. He now strides across the country a recognized and respected figure in jazz. He is popularly known as "Cannonball." cond ex
JOHN COLTRANE (Tenor Sax)
WYNTON KELLY (Piano)
PAUL CHAMBERS (Bass)
JIMMY COBB (Drums)
LIMEHOUSE BLUES (Furber-Braham) Harms, Inc. (ASCAP) 4:39.
STARS FELL ON ALABAMA (Prank Perkins & Mitchell Parish) Mills Music, Inc. (ASCAP) 6:15.
WABASH (Julian Adderley) Pure Music (BMI) 5:44.
GRAND CENTRAL (John Coltrane) Jowcol Music, Inc.(BMI) 4:33.
YOU'RE A WEAVER OF DREAMS (Victor Young & Jack Elliott) Kassner Music (ASCAP) 5:31.
THE SLEEPER (John Coltrane) Jowcol Music, Inc. (BMI) 7:15.
Recorded in Chicago , Universal Studio , February 3,1959
This session was cut while all the above were sidemen working with Miles Davis' group at the Sutherland Hotel in 1959!
The need to feel ten feet tall. This is a malady which plagues men in general and great musicians in particular. No reputable jazzmam wants to set tiny feet inside the footprints left by others. Rather he seeks to stand straight and stamp his own mark. For the last five years, one alto man has been the object of much examination and cross-examination. He has been discarded as a rank imitator of the great "Yardbird" and he has been hailed as the greatest living exponent of the alto. He now strides across the country a recognized and respected figure in jazz. He is popularly known as "Cannonball." cond ex
