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Cindy Bullens - Steal the Night - Bootleg CD-R
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Courtesy of Blue Lobster Records
Track listing:
1 Full Tilt Rocker 3:57
2 Real to Real 2:12
3 Trust Me 3:56
4 Hurry up Forever 3:12
5 Steal the Night 4:40
6 Too Close to Home 4:28
7 Powerless 3:06
8 Raincheck on Romance 4:32
9 Two-Track Mind 2:35
10 Holding Me Crazy 3:28
Musicians:
Lead Vocals, Electric Guitar, Acoustic Guitar, Rhythm Guitar, Harmonica, Percussion – Cindy Bullens
Electric Piano, Acoustic Piano, Synthesizer – Trantham Whitley
Lead Guitar, Acoustic Guitar, Bass, Percussion – Mark Doyle
Piano – Cindy Bullens (tracks: 3), Mark Doyle (tracks: 6)
Producer – Cindy Bullens, Mark Doyle
Synthesizer – Mark Doyle (tracks: 7)
Drums, Percussion – Thom Mooney
Bass – Roger Freeland (tracks: 3, 5, 7, 8, 10)
Background Vocals – Cindy Bullens, Jon Joyce, Mark Doyle
Recorded At – United Western Studios
Recorded At – The Village Recorder
Recorded At – Allen Zentz Recording
Mixed At – Allen Zentz Recording
Mastered At – Allen Zentz Mastering
Pressed By – Columbia Records Pressing Plant, Santa Maria
Produced For – MainMan Ltd.
Original LP Manufactured By – Casablanca Record And Filmworks, Inc.
Original LP Distributed By – Casablanca Record And Filmworks, Inc.
Published By – Gooserock Music
Published By – Fleur Music
Published By – Almost Music (tracks: 10)
Original LP Phonographic Copyright (p) – Casablanca Record And Filmworks, Inc.
Original LP Copyright (c) – Casablanca Record And Filmworks, Inc.
CD and Mp3 format version Copyright (c) – Blue Lobster Records
2nd Engineer – Barbara Issak, David Ahlert, Rick Ash
Recording Engineer – Neil Brody
Mastered By – Brian Gardner
Mixed By – Cindy Bullens, Mark Doyle, Neil Brody
Design – Deborah May
Photography By – Georgina Karvellas
about this lost '70s pop/rock album
Cindy Bullens didn't have much luck with record companies. She signed with Casablanca when the label was close to self destructing. This time Bullens co-produced "Steal The Night" with lead guitarist Mark Doyle. With the exception of "Too Close To Home" [which she wrote with Doyle] the other nine tracks are self penned. Her songs are better [or maybe they just sound better]. Bullens both sings and lays down some tough guitar riffs with real attitude. This record was a winner. Apparently, there was no one to promote it, so a very good album disappeared almost entirely unheard.
As William Ruhlmann from AllMusic once reviewed:
Cindy Bullens exhibited an unfortunate talent for hooking up with record companies that were on the way out, starting with United Artists and continuing with the classic '70s boom-and-bust label, Casablanca, a year later. Which is to say that Bullens's second album, Steal the Night, got lost at the end of 1979. Though not quite as impressive as her debut, it was another record full of high-energy guitar-based pop-rock, some of which, given the time of release, could have passed for new wave or power-pop; however, Bullens was a mainstream rocker at heart, and her main points of reference were the early-'60s girl groups and the British Invasion. Here was a performer who had a good, punchy voice, played guitar as well as anybody, and wrote serviceable pop songs with hooks; it's a shame she didn't make it.
Track listing:
1 Full Tilt Rocker 3:57
2 Real to Real 2:12
3 Trust Me 3:56
4 Hurry up Forever 3:12
5 Steal the Night 4:40
6 Too Close to Home 4:28
7 Powerless 3:06
8 Raincheck on Romance 4:32
9 Two-Track Mind 2:35
10 Holding Me Crazy 3:28
Musicians:
Lead Vocals, Electric Guitar, Acoustic Guitar, Rhythm Guitar, Harmonica, Percussion – Cindy Bullens
Electric Piano, Acoustic Piano, Synthesizer – Trantham Whitley
Lead Guitar, Acoustic Guitar, Bass, Percussion – Mark Doyle
Piano – Cindy Bullens (tracks: 3), Mark Doyle (tracks: 6)
Producer – Cindy Bullens, Mark Doyle
Synthesizer – Mark Doyle (tracks: 7)
Drums, Percussion – Thom Mooney
Bass – Roger Freeland (tracks: 3, 5, 7, 8, 10)
Background Vocals – Cindy Bullens, Jon Joyce, Mark Doyle
Recorded At – United Western Studios
Recorded At – The Village Recorder
Recorded At – Allen Zentz Recording
Mixed At – Allen Zentz Recording
Mastered At – Allen Zentz Mastering
Pressed By – Columbia Records Pressing Plant, Santa Maria
Produced For – MainMan Ltd.
Original LP Manufactured By – Casablanca Record And Filmworks, Inc.
Original LP Distributed By – Casablanca Record And Filmworks, Inc.
Published By – Gooserock Music
Published By – Fleur Music
Published By – Almost Music (tracks: 10)
Original LP Phonographic Copyright (p) – Casablanca Record And Filmworks, Inc.
Original LP Copyright (c) – Casablanca Record And Filmworks, Inc.
CD and Mp3 format version Copyright (c) – Blue Lobster Records
2nd Engineer – Barbara Issak, David Ahlert, Rick Ash
Recording Engineer – Neil Brody
Mastered By – Brian Gardner
Mixed By – Cindy Bullens, Mark Doyle, Neil Brody
Design – Deborah May
Photography By – Georgina Karvellas
about this lost '70s pop/rock album
Cindy Bullens didn't have much luck with record companies. She signed with Casablanca when the label was close to self destructing. This time Bullens co-produced "Steal The Night" with lead guitarist Mark Doyle. With the exception of "Too Close To Home" [which she wrote with Doyle] the other nine tracks are self penned. Her songs are better [or maybe they just sound better]. Bullens both sings and lays down some tough guitar riffs with real attitude. This record was a winner. Apparently, there was no one to promote it, so a very good album disappeared almost entirely unheard.
As William Ruhlmann from AllMusic once reviewed:
Cindy Bullens exhibited an unfortunate talent for hooking up with record companies that were on the way out, starting with United Artists and continuing with the classic '70s boom-and-bust label, Casablanca, a year later. Which is to say that Bullens's second album, Steal the Night, got lost at the end of 1979. Though not quite as impressive as her debut, it was another record full of high-energy guitar-based pop-rock, some of which, given the time of release, could have passed for new wave or power-pop; however, Bullens was a mainstream rocker at heart, and her main points of reference were the early-'60s girl groups and the British Invasion. Here was a performer who had a good, punchy voice, played guitar as well as anybody, and wrote serviceable pop songs with hooks; it's a shame she didn't make it.
