A scene from the film "En kvinnas ansikte" (A Woman's Face), with Ingrid Bergman as AnnaHolm, aka Anna Paulsson, Göran Bernhard as Lars-Erik Barring and Tore Svennberg as Magnus Barring,1938. - 8x10 photo "A scene from thefilm "En kvinnas ansikte" (A Woman's Face), with Ingrid Bergman as Anna Holm, aka Anna Paulsson,Göran Bernhard as Lars-Erik Barring and Tore Svennberg as Magnus Barring, 1938. A Woman's Faceon the play Il etait une fois by Francis de Croisset. The cast includes Ingrid Bergman in thelead as a woman criminal with a disfigured face. The film was awarded a Special Recommendationat the 1938 Venice Film Festival for its "overall artistic contribution." It was remade in 1941by Metro-Goldwyn-Mayer with the same title, starring Joan Crawford. Ingrid Bergman (Swedishpronunciation: ['???r?d 'bærjman]; 29 August 1915 – 29 August 1982) was a Swedish actress whoAwards, four Golden Globe Awards, a BAFTA Award, and the Tony Award for Best Actress. She isbest remembered for her roles as Ilsa Lund in Casablanca (1942) and as Alicia Huberman in Notorious(1946), an Alfred Hitchcock thriller starring Cary Grant.[3] Before becoming a star in Americanfilms, Bergman had been a leading actress in Swedish films. Her introduction to American audiencescame with her starring role in the English-language remake of Intermezzo (1939). At her insistence,the then-standard seven-year period, also at her insistence – until after Intermezzo had beenreleased. Selznick's financial problems meant that Bergman was often loaned to other studios.Apart from Casablanca, her performances from this period include Victor Fleming's remake ofDr. Jekyll and Mr. Hyde (1941), For Whom the Bell Tolls (1943), Gaslight (1944), and The Bellsof St. Mary's (1945). Her last films for Selznick were Alfred Hitchcock's Spellbound (1945)in American films, she starred in Roberto Rossellini's Stromboli (1950), following the revelationthat she was having an extramarital affair with the director. The affair and then marriage withRossellini created a scandal in the US that forced her to remain in Europe for several years,when she made a successful Hollywood return in Anastasia (1956), for which she won her secondAcademy Award. Many of her personal and film documents can be seen in the Wesleyan Universitybecame "the ideal of American womanhood" and a contender for Hollywood's greatest leading actress.[6]In the United States, she is considered to have brought a "Nordic freshness and vitality" tothe screen, along with exceptional beauty and intelligence; David O. Selznick once called her"the most completely conscientious actress" he had ever worked with. In 2007, the American FilmInstitute ranked Bergman the as the fourth-greatest female screen legend of classic Americanand theatre director whose career spanned more than five decades. Born in Stockholm, Tore Svennbergmade his stage debut at the Folkan Theatre in his hometown in 1877.[2] From 1878 to 1891 hewas engaged with various national touring theatre companies with actress Julia Håkansson andwas from time to time cast by Swedish stage director Albert Ranft.[3] At the Swedish Theatre,he played in several August Strindberg dramas: Gustav Vasa, starred in Erik XIV in 1899, A Dreamas Helmer in A Doll's House in 1889, as Hjalmar Ekdahl in The Wild Duck in 1891 and as Borkmanin John Gabriel Borkman in 1897.[4] In 1920 Svennberg was engaged at the Swedish Royal DramaticTheatre, where he later became director from 1922 to 1928. He managed to attract audiences byfocusing on classics and foreign plays. Svennberg also appeared in a number of films, beginningin the Victor Sjöström-directed 1919 drama Sons of Ingmar, based on the novel Jerusalem by SelmaStål. He is possibly best recalled internationally for his role in the 1938 film A Woman's Faceopposite actress Ingrid Bergman. Göran Bernhard, born Göran Bernhard Streijffert 20 January1932 in Stockholm , died there 24 June 1998 , a Swedish child actress . Bernhard entered thefilm industry in 1936 and has starred in 18 films." Pickid: 484122
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