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Hello. I spent nearly 10 years selling on that other site (you can check my feedback there; It's under the same ID as this one; over 3200 positives, 99.7%). But I thought I'd give this new site a try.
I'm just getting started here, so please excuse the amateur appearance. I'll have the place looking better shortly.

Like all of my cds, this is an Original CD, with original inserts (NO CD-Rs or bootlegs).....

Here's some info or review ............

Frank Meyer: Vocals, Guitars Bruce Duff: Bass, Vocals Chris Markwood: Drums "Don't mistake my glory days as a statement. I wasn't too ironic I was just hell-bent, hell-bent and drunk." - Sweet Justice, "Blood & Alcohol" Sweet Justice formed in Los Angeles, CA in 2002 out of the ashes of the Streetwalkin' Cheetahs and the ADZ, with a little help from the Bellrays. Drenched in the sound of '70s classic rock and '60s soul, with some punk swagger and hard rock crunch thrown in for good measure, Sweet Justice blends song craftsmanship with tight musicianship and sloppy bar band ethos, making their sound the bizarre meeting ground of the Jeff Beck Group and the Heartbreakers (Johnny Thunders' or Tom Petty's bunch, you pick). While on hiatus with the Streetwalkin' Cheetahs, frontman Frank Meyer hooked up with longtime pal Bruce Duff -- formerly of ADZ, 45 Grave, Jeff Dahl and the gent who had the good taste to sign the Cheetahs to Triple X Records during his tenure Ð to record music for an indie film Frank co-wrote called Fat Cats. The mission was to record a handful of '70s-sounding instrumental jams. They enlisted former Bellrays drummer Todd Westover (who also plays in '60 biker legend Simon Stokes band with Duff) on skins and tracked a dozen songs in Todd's living room. These jams morphed into Sweet Justice, with fellow former Bellrays drummer Chris Markwood (the Cheetahs, Bellrays and Duff go way back, ya see) eventually stepping in for Westover as the band became fulltime. Within months, Sweet Justice had an entire set of original songs (now with vocals) and were playing gigs around Hollywood, flexing their musical muscle on tunes veering from blues and country to Hendrix-y-style jams and Stonesy rock. "We're a modern day soul band," laughs Meyer. "We are rootsy but hard rockin'. It's all rock 'n' roll but we aren't afraid to play a blues tune, a ballad or even a dub number. We're basically playing every style of music our old bands didn't do. Zappa's Rueben and the Jets, the Stones' Exile on Main Street, Aerosmith Rocks, that's the sort of the territory we're covering here. Classic rock but with a punky twist." In 2003 the band recorded a 17-song demo album that fell into the hands of Philadelphia based label Real O Mind - home of Detrot's Scott Morgan and Australia's Celibate Rifles - who signed the band to record a their debut album. Sweet Justice also hit the road and played in and out of Los Angeles, sharing bills with the likes of Zeke, Rocket from the Tombs, Lazy Cowgirls, the Weaklings, Legal Weapon, the B-Movie Rats, Texas Terri and others, and recorded tune for a split 7" single with Scott Morgan (on American Ruse Records) and several songs for compilation albums. Due out this March, Sweet Justice's self-titled debut leads off with the Hedwig and the Angry Inch sounding "Guns of Navarone," the album''s glam-drenched first single, a lament against tired punk rock and Sunset Strip phonies. "Sold Me Out" is a sleazy, horn drenched soul rocker (honkin' courtesy of Mike Watt's Vince Meghrouni) whose lyrics are a venomous attack on a former business associate, while "Last Night" finds Duff taking over lead vocals duties for Frank on a Cheap Trick-esque popper. Save Ferris singer Monique Powell joins Duff in a duet on the funky "If You look Like A Star," while Frank croons the blues on the smoky ballads "True To You" and "Don't Cry On Somebody Else's Shoulder." Be it the Aero-boogie of "Slide," the Cheetahs-style punk 'n' roll of "Blood and Alcohol," or the Motown blast of "Outta Site," Sweet Justice prove they are boundary-free when it comes to songwriting and style. The boys even smoke the proverbial doobie on the lengthy reggae cut "Hey Christina." All in all, a major departure for these former punks and a hook-laden affair too boot. "We wanted this album to be unique," Duff notes. "Every band these days finds one thing they do well and sticks ferociously to it. We can do lots of things, so we decided to use this band and this album to show off how much fun we can have trying out different styles and genres. There is one unifying theme though, one common ground. They are all strong songs. We wanted every song to be a winner." By the time they finished the record (yes, it's coming out on vinyl, so we can say that officially), Frank and Duff formed the production team Messiaz to produce the album and have been producing hip hop for the likes of Houston legends K-Rino and Dope E (Terrorists) and L.A. indie vets Infinite P'Tencial, while Frank has been keeping busy overseeing the release of the Cheetahs swansong effort, "Gainesville", Alive/Bomp's re-release the Cheetahs' debut album (now know as Maximum Overdrive) and published his first book, On the Road with the Ramones (out now through Sanctuary). Sweet Justice the band hits the road this spring to take the power to the people. Sweet Justice the album is out now through Real O Mind Records. Learn more at www.sweetjusticetheband.com




USED, but in great condition. NO scratches and NO signs of abuse or misuse.

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