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Hello. I spent nearly 10 years selling on that other site (you can check my feedback there; It's under the same ID as this one; over 3200 positives, 99.8% positive). But I thought I'd give this new site a try.
I'm just getting started here, so please excuse the amateur appearance. I'll have the place looking better shortly.

Like all of my cds, this is an Original CD, with original inserts (NO CDRs or bootlegs).....

Here's some info or review ........Arto Lindsay?s music has always been deserving of Duke Ellington?s ?beyond category? classification. For a guitarist who has never learned to play his guitar, he has been making music since the ?no wave? 1970s in the noisy band DNA, the 80s in Lounge Lizards, the Golden Palominos, and Lindsay?s pop band Ambitious Lovers. His music has come to full maturation in his solo projects of the 1990s with a string of albums O Corpo Sutil/The Subtle Body (1996), Mundo Civilizado (1997), Noon Chill (1998) and Prize (1999). The American-born Brazilian-raised Lindsay was immersed in Brazilian culture and music of bossa nova, samba and South American?s adaptations of pop, electronic and hip-hop music. His music, while a bridge between the two Americas, is more about modern Brazil than any attempts at ?cross-over? music. Invoke his second recording for Ani DeFranco?s Righteous Babe Records pulls together a bossa nova and tropicala with an urban hip-hop sensibility. Lindsay?s core band of bassist Melvin Gibbs and guitarist/keyboards Andres Levin is supplemented by differing producers from Rio and New York, Bahia drummers, and the Brazilian urban band Nacao Zumbi. Lindsay, a frequent collaborator and producer for singer Vinicius Cantuaria, adapts his unadorned style on the simply pure ?Delegada? sung in Portuguese over a guitar and clarinet accompaniment and the folk-infectious ?Breija-Me.? Lindsay?s voice is a now comfortable wavering reed, a Downtown/Brazilian version of Jimmy Scott. But Lindsay also tears it up here with the booming bass and effects laden production of his guests. His skronk guitar adapts nicely into the mix on the soundscape ?In The City That Reads.? There are ventures into pop music here too, but Arto is too cool to be slick. He subverts polished sound with polished noise. Like Gil Evans? Sketches Of Spain, Arto Lindsay?s Invoke is as much about New York as it Track listing
1. Illuminated
2. Predigo
3. Ultra Privileged
4. Over/Run
5. Invoke
6. You Decide
7. In The City That Reads
8. Delegada
9. Uma
10. Clemency
11. Unseen
12. Beija-me


Details
Contributing artists: Melvin Gibbs, Peter Scherer, Vinicius Cantuaria
Distributor: Koch
Recording type: Studio
Recording mode: Stereo
SPAR Code: n/a


Album notes
Personnel includes: Arto Lindsay (vocals, guitar); Deaken (spoken vocals, keyboards); Panda Bear (spoken vocals, drums); Davi Moraes (acoustic & electric guitars, drums); Avey Tare (guitar, piano, background vocals); Melvin Gibbs (guitar, keyboards, bass, programming); Stephen Barber (guitar, organ, keyboards); Andres Levin (guitar, keyboards, programming); Vinicius Cantuaria (guitar, percussion); Cesar Mendes, Lucio Maia (guitar); Sandy Park (violin); Bobby Malach (clarinet); Mark Batson, Geologist, Peter Scherer (keyboards); Berna Ceppas (synthesizer, programming); Kassin (bass, programming); Dengue (bass); Skoota Warner, Pupillo (drums); Marco (tambor, percussion); Pato Rouco (surdo); Nanny Assis, Toca (percussion).
Producers: Arto Lindsay, Melvin Gibbs, Berna Ceppas, Kassin, Anders Levin.


Editorial reviews
...A confidence that only a man with over 25 years of musical know-how and experimentation can offer...an amazing success that is truly reminiscent of Lindsay's characteristic style....INVOKE has a little bit of everything for the esteemed listener who gives Lindsay's engaging style a chance.
CMJ

...Startling contrasts...Idiosyncratic pop of the highest order. - Rating: A-
Entertainment Weekly (06/28/2002)

is of Rio. ...




USED, but in great condition. NO scratches and NO signs of abuse or misuse.

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