it is a record...made in the Uk with a picture sleeve, easily his best gothic dance track,followed the same vaguely sleazy, electronic dance-pop his former group had made popular. Almond's strength was never his personality -- his voice tends to waver around the notes instead of hitting them -- it was the atmosphere he created with the synths and drum machines. Underneath all of the electronics and disco rhythms, Almond hearkened back to the days of cabaret singers, updating that sound for the dance clubs of the '80s.Before he properly started a solo career, Marc Almond formed Marc and the Mambas, a loose congregation that featured Matt Johnson of The The and Annie Hogan. Untitled (1982), the group's first album, featured covers of Lou Reed, Syd Barrett, and Jacques Brel; throughout his career, Almond would cover the songs of Brel, which he had learned from the records of Scott Walker. Like Walker, Almond used Brel's heavily orchestrated compositions and social ruminations as a starting point, both musically and lyrically -- Almond added a self-conscious element of camp with his Euro-disco and occasionally sleazy lyrics. ...Powered by eCRATER . List your items fast and easy and manage your active items.