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$15.38 Add to Cart

Bronski Beat It Ain't Necessarily So, Red Dance sO,12"

Bronski Beat It Ain't Necessarily So, Red Dance sO,12"

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Shipping: Australia: free (more destinations)

Condition: Used

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it is a record..made in the Uk with a picture sleeve.....1.It Ain't Necessarily So2.Close To The Edge3.Red Dance..very rare....still gets airplay on flashback radio stations like STar Kroq...great for collectors and djs...fans of Bronski Beat,synthpop,technopop,Jimmy Sommerville,new wave,alternative or retro 80s will like this one....winner pays shipping and handling ...$4.00 in the USA foreign pasys apllicable shipping... ..good luck..London's Bronski Beat will be remembered for a number of things. Anyone who has seen the video for "Smalltown Boy" -- which remains gripping and sobering decades later -- can likely recall at least one of its scenes in vivid detail. It was only Bronski Beat's first single, but it became the group's best-known, reaching the top of Billboard's U.S. dance chart while peaking at number three on the U.K. pop chart. More importantly, the song was typical for the group in that it centered on singer Jimmy Somerville's experiences as a young gay man. It also exemplified the group's moody electronic-pop sound and introduced a number of people to a voice that continues to sound like no other -- one that can soar into a unique falsetto while drawing from a deep pool of emotions that ranges from intense internal strife to bliss. Somerville, fellow Glasweigan Steve Bronski (keyboards), and Londoner Larry Steinbachek (also keyboards) formed Bronski Beat in 1983. They performed at venues in and around London, and scored a major coup by landing an opening gig for Tina Turner. The London label soon swept up the group, and the bandmembers almost immediately became pop stars in the U.K. "Smalltown Boy" proved to be a huge breakthrough. The Age of Consent, supported by that single, "Why," and a cover of Donna Summer's "I Feel Love," went over extremely well. Not only did the album gain attention for its combination of compelling songwriting and club-friendly pop; the inner sleeve listed the legal age of consent for homosexual acts in several countries across Europe. Somerville boldly left the group a year later, before it was able to record a follow-up; he started the more overtly political Communards with Richard Coles. Bronski and Steinbachek continued with vocalist John Jon, who had previously been in Bust. The new version of Bronski Beat was quite successful as well, notching club hits in the U.K. and abroad; Truthdare Doubledare, the 1986 sophomore album, went Top 20 in the group's home country, and "Hit That Perfect Beat" rivaled "Smalltown Boy" in high chart placements. Before the year's end, John Jon left the group, which eventually disbanded. Steve Bronski brought a new lineup together in the mid-'90s -- including vocalist Jonathan Hellyner -- and recorded Rainbow Nation for the German ZYX label. Somerville enjoyed modest success in the Communards and has recorded sporadically as a solo artist since the late '80sPowered by eCRATER . List your items fast and easy and manage your active items.
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