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DEBBY SCHWARTZ WRONGS OF PASSAGE CD SEALED
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Details
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Condition: Brand new
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Track listing
1. Venus Again
2. Never Come Down
3. After All
4. Gray
5. Misanthropic Man - (with Joan Osborne)
6. Revelations
7. Musings
8. Tribe
9. Crawlspace
10. Adonis
11. Because You Don't Love Me
12. Mousecraft
Details
Contributing artists: Clem Burke, Dennis Diken, James Mastro, Joan Osborne
Producer: James Mastro
Distributor: Universal Distribution
Recording type: Studio
Recording mode: Stereo
SPAR Code: n/a
Album notes
Personnel: Debby Schwartz (vocals, acoustic guitar, piano, Mellotron, ARP); Erik Della Penna (guitar, lap steel guitar); James Mastro (electric & slide guitars, ARP, organ, jug); Lorenza Ponce (violin); Jane Scarpantoni (cello); Sasha Sumner (saxophone); Joe McGinty (piano, Wurlitzer electric piano, Vox organ, clavinet); Claudine Troise (bass, Moog bass); Joe Arcidiacono (bass); Tom Kelley (drums, djembe, marimba, bells); Clem Burke, Dennis Diken (drums); Joan Osborne (background vocals).
Engineers: Don Sternecker, Gene Holder, Sal Mormando.
Recorded at Mix-o-Lydian Studio, Lafayette, New Jersey; Jolly Roger Studio, Hoboken, New Jersey; IIWII Studio, Weehawken, New Jersey.
In the late '80s and early '90s, Schwartz fronted the Aquanettas, sort of a garage-rock version of the Bangles. But she hasn't got soft like Susanna Hoffs on her solo debut. Quite the contrary, WRONGS OF PASSAGE is a shimmering, guitar-fueled rock album on which the trials, tribulations and accusations of a thirtysomething woman who's been burned by love but still believes in it are buttressed by some true musical grit. Schwartz has a piercing soprano voice--think of Alanis Morissette without the drama-queen pose. She prays for love in one song and cuts another woman down for even thinking about it in another.
In short, she's a complicated love fool. And she's got a complicated rock and roll mind, which takes in everything from country-rock to straightahead power-pop jangle to droning balladry to some beautifully ugly New York noise. Give some of the sonic credit to producer James Mastro, a one-time member of the Bongos, who shadows Schwartz throughout with his own manic, and sometimes haunting, guitar lines.
1. Venus Again
2. Never Come Down
3. After All
4. Gray
5. Misanthropic Man - (with Joan Osborne)
6. Revelations
7. Musings
8. Tribe
9. Crawlspace
10. Adonis
11. Because You Don't Love Me
12. Mousecraft
Details
Contributing artists: Clem Burke, Dennis Diken, James Mastro, Joan Osborne
Producer: James Mastro
Distributor: Universal Distribution
Recording type: Studio
Recording mode: Stereo
SPAR Code: n/a
Album notes
Personnel: Debby Schwartz (vocals, acoustic guitar, piano, Mellotron, ARP); Erik Della Penna (guitar, lap steel guitar); James Mastro (electric & slide guitars, ARP, organ, jug); Lorenza Ponce (violin); Jane Scarpantoni (cello); Sasha Sumner (saxophone); Joe McGinty (piano, Wurlitzer electric piano, Vox organ, clavinet); Claudine Troise (bass, Moog bass); Joe Arcidiacono (bass); Tom Kelley (drums, djembe, marimba, bells); Clem Burke, Dennis Diken (drums); Joan Osborne (background vocals).
Engineers: Don Sternecker, Gene Holder, Sal Mormando.
Recorded at Mix-o-Lydian Studio, Lafayette, New Jersey; Jolly Roger Studio, Hoboken, New Jersey; IIWII Studio, Weehawken, New Jersey.
In the late '80s and early '90s, Schwartz fronted the Aquanettas, sort of a garage-rock version of the Bangles. But she hasn't got soft like Susanna Hoffs on her solo debut. Quite the contrary, WRONGS OF PASSAGE is a shimmering, guitar-fueled rock album on which the trials, tribulations and accusations of a thirtysomething woman who's been burned by love but still believes in it are buttressed by some true musical grit. Schwartz has a piercing soprano voice--think of Alanis Morissette without the drama-queen pose. She prays for love in one song and cuts another woman down for even thinking about it in another.
In short, she's a complicated love fool. And she's got a complicated rock and roll mind, which takes in everything from country-rock to straightahead power-pop jangle to droning balladry to some beautifully ugly New York noise. Give some of the sonic credit to producer James Mastro, a one-time member of the Bongos, who shadows Schwartz throughout with his own manic, and sometimes haunting, guitar lines.



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