READ THIS FIRST: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!

Laserdisc Title: "MUCH ADO ABOUT NOTHING"
Edition: Fullscreen Edition (Single Disc)
Directed By: Kenneth Branagh
Starring: Kenneth Branagh, Michael Keaton, Robert Sean Leonard, Keanu Reeve, Emma Thompson, Denzel Washington
Production / Year: 1993 Renaissance Film Plc and The Samuel Goldwyn Company
Running Time: 110 Minutes / Color
Audio Format: Digitally Mastered, Dolby Surround, Stereo, CX Encoded
Video Format: NTSC, CLV (Extended Play)
Miscellaneous Features: Rated PG-13, Closed Captioned
Distributed By: Columbia TriStar Home Video
Catalog / Spine Number: 71756

Cosmetic Condition:
Disc (s): Excellent - Hardly noticeable to very minor hairline surface swirls, if any
Jacket: Excellent - Normal shelf wear, few creases, slightly worn-out corners or edges but no signs of spines splitting

Synopsis:
Since his Oscar-nominated "Henry V" adaptation, Kenneth Branagh has come up with a simple, effective recipe: Blend 3 parts English actors well-versed in all things "Bard" with 1 or 2 parts Hollywood, sprinkle the mixture liberally over one of Shakespeare's plays, lift the material out of its original temporal and local context to provide an updated meaning, and garnish it by casting yourself and, until the mid-1990s, (then-)wife Emma Thompson in opposite starring roles. In "Much Ado About Nothing," that formula works to near-perfection. A comedy of errors possibly written in one of the Bard's busiest years (1599) - although as usual, dating is a minor guessing game - "Much Ado" lives primarily from its timeless characters, making it an ideal object for transformation a la Branagh. Thus, renaissance Sicily becomes 19th century Tuscany (although the location's name, Messina, remains unchanged); and the intrigues centering around the battle of the sexes between Signor Benedick of Padua (Branagh) and Lady Beatrice (Thompson), the niece of Messina's governor Don Leonato (Richard Briers), and their love's labors won - initially the play's intended title; Benedick and Beatrice are a more liberated version of the earlier "Love's Labor's Lost"'s Biron and Rosaline - as well as the schemes surrounding the play's other couple, Benedick's friend Claudio (Robert Sean Leonard) and Beatrice's cousin Hero (Kate Beckinsale) become a light-hearted counterpoint to the more serious, politically charged intrigues of novels such as Stendhal's "Charterhouse of Parma:" Indeed, the military campaign from which Benedick and Claudio are returning with Don Pedro, Prince of Aragon (Denzel Washington) at the story's beginning could easily be one associated with Italy's 19th century struggle for nationhood. The cast is rounded out by several actors who might well have demanded larger roles but nevertheless look ideally matched for the parts they play, including Imelda Staunton and Phyllida Law as Hero's gentlewomen Margaret and Ursula, Gerard Horan and Richard Clifford as Don John's associates Borachio and Conrade, and Ben Elton as Dogberry's "neighbor" Verges. (In addition, score composer Patrick Doyle stands in as minstrel Balthazar.) With minimal editing of the play's original language, a set design making full use of the movie's Tuscan setting, and lavish production values overall, this is a feast for the senses and, on the whole, an adaptation of which even the Bard himself, I think, would have approved.

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