READ THIS FIRST: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!

Laserdisc Title: "NAKED IN NEW YORK"
Edition: Fullscreen Edition (Single Disc)
Directed By: Dan Algrant
Starring: Eric Stoltz, Mary-Louise Parker, Ralph Macchio, Jill Clayburgh, Tony Curtis, Timothy Dalton, Kathleen Turner, Whoopi Goldberg
Production / Year: 1994 Some Film, Inc.
Running Time: 89 Minutes / Color
Audio Format: Digitally Mastered, Dolby Surround, Stereo, CX Encoded
Video Format: NTSC, CLV (Extended Play)
Miscellaneous Features: Rated R, Closed Captioned
Distributed By: Columbia TriStar Home Video
Catalog / Spine Number: 83706

Cosmetic Condition:
Disc (s): Very Good - Very few very light to very minor hairline surface swirls or very light fingerprint marks
Jacket: Very Good - Normal shelf wear, few creases, light scuffs, slightly worn-out corners or edges but no signs of spines splitting

Synopsis:
Naked in New York is a likable, intimate look at the young couple Jake and Joanne (Eric Stoltz and Mary-Louise Parker), who meet in college and slowly see their lives pull apart. A romantic comedy with a New York attitude, it's a more realistic version of Reality Bites. A struggling playwright with a rich imagination, Jake has a laziness factor that's holding him back, and, in part, that's the underlying feeling of the movie: Things just happen. But it's a great showcase for the underappreciated Parker (Fried Green Tomatoes) and for Tony Curtis as an off-Broadway producer. In addition to the hugely likable cast are many catchy cameo appearances. This is a descendant of the 1980's teen pic crossed with 1990's grunge directed by Daniel Algrant, with Eric Stoltz having left his girlfriend Mary-Louise Parker and while driving, reminisces, narrating to the camera. There are flashbacks to his childhood, his relationship, and the production of an autobiographical off-Broadway play "Master of my Emotions" (with such a title you know it's bound to flop, unless it is meant as an indication of the self-indulgence of some off-Broadway productions). Only the latter subplot brings this film some degree of interest since as characters Stoltz and Parker are dull, limp, dull. This performance makes you long for Peter Bogdanovich's Mask cos at least in that film Stoltz' makeup gave him something, and Parker appears to be doing Diane Keaton's Annie Hall schtick, using big eyes and odd hand movements. As Stoltz' mother, Jill Clayburgh is keen but given nothing to do except wear a lot of jewellry for eccentricity - get it? In the off-Broadway scenes we get a series of cameos. It's great to see Tony Curtis as the show's producer and his boxer intonation, cheeky smile and silver hair is a delight. Kathleen Turner as the play's lead actor brings some energy, and she carries a drag queen air. Algrant uses her movie-star glamour and pug-ugly face for comic effect. As Stoltz' friend, Ralph Macchio is a true surprise after those terrible Karate Kid titles. His violent reaction to news of his being fired suggests what Macchio might have brought to the Stoltz role, and his scenes with Stoltz carry real sexual tension. Timothy Dalton has a few scenes as a wolf and his snake eyes and dark features hint at a masculinity that his efforts as James Bond lack. Agrant tries for amiability by populating the soundtrack with groovy music and his sensibility includes fantasy and dream, a talking orangutang, stone faces come to life with the help of Whoopi Goldberg, a mariachi band, blackouts, squirrels and a nut factory, an amusing lazy-Susan editing technique, and parties attended by New York literati, including the ubiquitous Quentin Crisp.

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