$13.98
Add to Cart
LD Opera Video DEATH IN VENICE 1990 Benjamin Britten Pioneer Artists Music Laserdisc [PA-92-426]
Only 1 available
Details
Shipping: Australia: $28.00 (more destinations)
Condition: Used
*The store has not been updated recently. You may want to contact the merchant to confirm the availability of the product.
Laserdisc Title: "DEATH IN VENICE"
Edition: Fullscreen Edition (Double-Disc Set)
Directed By: Lobin Lough
Starring: Robert Tear, Alan Opie, Michael Chance
Production / Year: 1990 BBC TV
Running Time: 140 Minutes / Color
Audio Format: Digital Sound, CX Encoded
Video Format: NTSC, CLV (Extended Play)
Written By: Benjamin Britten
Distributed By: Pioneer Artists
Catalog / Spine Number: PA-92-426
IMPORTANT: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!
Cosmetic Condition:
Disc (s): Excellent - Hardly noticeable to very minor hairline surface swirls, if any
Jacket: Very Good - Normal shelf wear, few creases, light scuffs, slightly worn-out corners or edges but no signs of spines splitting
Synopsis:
Benjamin Britten was one of the 20th century's greatest opera composers and one of the most productive, with more than a dozen operas to his credit. Death in Venice, his last, is based on a moody, introspective novella by Thomas Mann about a German writer in a dry spell who takes a vacation in Venice hoping to revive his inspiration but instead plunges into a terminal identity crisis. The enigmatic plot is a series of confrontations--with his sense of failure, with intimations of mortality (a plague that terrifies the city), with the creative and destructive powers of love, and with tantalizing glimpses of unattainable, alien beauty, embodied in a vacationing boy whom the writer admires timidly from a distance.
Death in Venice distills themes found throughout Britten's work: the loss of innocence; the relation between illusion and reality; tensions between society and the alienated individual; mysterious encounters that defy rational explanation. This carefully organized production offers virtuoso performances by Robert Tear as the writer and Alan Opie as a sort of doppelganger in a half-dozen cameo roles. It will delight hard-core Britten enthusiasts, but is not the most suitable way to begin an acquaintance. Those approaching Britten's operas for the first time are advised to start with the witty Albert Herring, the spooky Turn of the Screw or the tragic Peter Grimes, all of which exist in good video recordings.
Death in Venice was Britten's final opera--an extraordinarily atmospheric and haunting adaptation of Thomas Mann's novella, evoking the grandeur and shabbiness of a Venice in the grip of disease. He eloquently and evocatively describes the moral and physical degeneration of Aschenbach, the writer whose obsessive pursuit of beauty in the form of a boy leads him into humiliation and death. Robert Tear takes the demanding role of Aschenbach opposite Alan Opie, who sings the various baritone parts. To portray the beauty and fascination of the Polish family and Tadzio, Britten made prominent the use of dance, by turning these characters into dancers, choreographed in this production by Martha Clarke. This new production for Glydebourne is directed by Stephen Lawless and conducted by Graeme Jenkins.
THIS IS NOT A DVD!!! THIS IS A 12" LASERDISC AND WILL NOT PLAY IN A DVD PLAYER
Thanks for checking my other auctions!
eCrater ID Verified!
Edition: Fullscreen Edition (Double-Disc Set)
Directed By: Lobin Lough
Starring: Robert Tear, Alan Opie, Michael Chance
Production / Year: 1990 BBC TV
Running Time: 140 Minutes / Color
Audio Format: Digital Sound, CX Encoded
Video Format: NTSC, CLV (Extended Play)
Written By: Benjamin Britten
Distributed By: Pioneer Artists
Catalog / Spine Number: PA-92-426
IMPORTANT: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!
Cosmetic Condition:
Disc (s): Excellent - Hardly noticeable to very minor hairline surface swirls, if any
Jacket: Very Good - Normal shelf wear, few creases, light scuffs, slightly worn-out corners or edges but no signs of spines splitting
Synopsis:
Benjamin Britten was one of the 20th century's greatest opera composers and one of the most productive, with more than a dozen operas to his credit. Death in Venice, his last, is based on a moody, introspective novella by Thomas Mann about a German writer in a dry spell who takes a vacation in Venice hoping to revive his inspiration but instead plunges into a terminal identity crisis. The enigmatic plot is a series of confrontations--with his sense of failure, with intimations of mortality (a plague that terrifies the city), with the creative and destructive powers of love, and with tantalizing glimpses of unattainable, alien beauty, embodied in a vacationing boy whom the writer admires timidly from a distance.
Death in Venice distills themes found throughout Britten's work: the loss of innocence; the relation between illusion and reality; tensions between society and the alienated individual; mysterious encounters that defy rational explanation. This carefully organized production offers virtuoso performances by Robert Tear as the writer and Alan Opie as a sort of doppelganger in a half-dozen cameo roles. It will delight hard-core Britten enthusiasts, but is not the most suitable way to begin an acquaintance. Those approaching Britten's operas for the first time are advised to start with the witty Albert Herring, the spooky Turn of the Screw or the tragic Peter Grimes, all of which exist in good video recordings.
Death in Venice was Britten's final opera--an extraordinarily atmospheric and haunting adaptation of Thomas Mann's novella, evoking the grandeur and shabbiness of a Venice in the grip of disease. He eloquently and evocatively describes the moral and physical degeneration of Aschenbach, the writer whose obsessive pursuit of beauty in the form of a boy leads him into humiliation and death. Robert Tear takes the demanding role of Aschenbach opposite Alan Opie, who sings the various baritone parts. To portray the beauty and fascination of the Polish family and Tadzio, Britten made prominent the use of dance, by turning these characters into dancers, choreographed in this production by Martha Clarke. This new production for Glydebourne is directed by Stephen Lawless and conducted by Graeme Jenkins.
THIS IS NOT A DVD!!! THIS IS A 12" LASERDISC AND WILL NOT PLAY IN A DVD PLAYER
Thanks for checking my other auctions!
eCrater ID Verified!













