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Laserdisc AVALON 1990 Aidan Quinn Barry Levinson DLX LTBX LD Movie Video [70546]
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Laserdisc Title: "AVALON"
Edition: Deluxe Widescreen Edition (Double-Disc Set)
Directed By: Barry Levinson
Starring: Aidan Quinn, Elizabeth Perkins, Joan Plowright
Production / Year: 1990 Tri-Star Pictures, Inc.
Running Time: 126 Minutes / Color
Audio Format: Digital Sound, Dolby Surround, Stereo, CX Encoded
Video Format: LTBX, NTSC, CLV (Extended Play)
Miscellaneous Features: Rated PG, Closed Captioned
Distributed By: Columbia Pictures Home Video
Catalog / Spine Number: 70546
IMPORTANT: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!
Cosmetic Condition:
Disc (s): Very Good - Some very light to very minor hairline surface swirls or light fingerprint marks
Jacket: Very Good - Normal shelf wear, few creases, light scuffs, slightly worn-out corners or edges and taped-up small splits on top spine
Synopsis:
Writer-director Barry Levinson is at his best when exploring his native Baltimore during his formative years: the 1950s and 1960s. This film, drawing upon family stories, tells a compelling, amusing tale about an extended group that came to America one by one, each earning enough to bring the next sibling. The new, American-born generation--represented by Aidan Quinn and Kevin Pollak--see a future in that mysterious machine known as the television, even as the older generation, led by Armin Mueller-Stahl, finds its traditions shattering or being put aside. Funny, tragic, and telling, it's a terrific, multifaceted film that ultimately details the breakdown of the oral tradition in the wake of television's burgeoning popularity.
Looking back at some recent comedies by Barry Levinson ("Envy" and "Man of the Year"), it's hard to remember the not-so-distant past when he was a major Hollywood director. A primary creative force behind TV's lauded "Homicide," he also won accolades for film projects as diverse as "Diner" in 1982 to "Wag the Dog" in 1997. And for a few years, he was on a real roll of serious minded and critically acclaimed movies--"Good Morning, Vietnam" followed by an Oscar for "Rain Man" and then another nomination for "Bugsy." Well, in between "Rain Man" and "Bugsy" (both films that I would rate at 5 stars for different reasons), he made his most personal film yet. While "Avalon" doesn't have the high profile of some of these other films (it did secure some writing awards for Levinson, however)--it is my favorite. It's a little film, a quiet character study, a wistfully nostalgic look at a more innocent time--but it's done on an epic scale.
"Avalon" is a fictionalized (and idealized) account of Levinson's own history, a Jewish family from Russia emigrates to the United States to seek prosperity and happiness. Set largely in the Baltimore of the 1940s and 1950s, "Avalon" gently examines family and the discovery of new opportunity. Plot-wise, there isn't a lot to account for--this film doesn't just seek to tell a story, but to strike a mood and create a feeling. There are just great scenes of familial interaction, funny scenes about growing up, scenes of wonder at the progress of a new country. The film might be one of the strongest family films ever. In a day where every film represents dysfunction and quirkiness, "Avalon" is a sweet throwback. This film is based on love, communication, and how people can naturally drift apart. It can come across as innocent and sanitized, perhaps, but the writing is so crisp and observant and the performances are beautiful. To further set a mood, the film is shot beautifully with gorgeous colors and expanses and the score is spot on.
The film stars a young Elijah Wood (as Levinson's surrogate, we presume). Much of the film's wonder comes from seeing things from a child's perspective. It's easy to forget how long Wood has been around what with the "Lord of the Rings" phenomenon--but this is one of his earliest starring roles. His parents are played by Aidan Quinn and Elizabeth Perkins--both giving perfectly nuanced performances. But if the film belongs to anyone--it's Armin Mueller-Stahl as the grandfather. I've always felt that if this film had a slightly larger profile on its release, that this could have been his Oscar.
"Avalon" may not be for everyone--there isn't a lot of action. But for me, it's a near perfect film. I'm not warm and cuddly, by any means, and like entertainment with an edge. But "Avalon" captures me every time. It's so charming, so thoughtful, so engaging, so literate, so beautiful to look at. I recommend this film wholeheartedly.
THIS IS NOT A DVD!!! THIS IS A 12" LASERDISC AND WILL NOT PLAY IN A DVD PLAYER
Thanks for checking my other auctions!
eCrater ID Verified!
Edition: Deluxe Widescreen Edition (Double-Disc Set)
Directed By: Barry Levinson
Starring: Aidan Quinn, Elizabeth Perkins, Joan Plowright
Production / Year: 1990 Tri-Star Pictures, Inc.
Running Time: 126 Minutes / Color
Audio Format: Digital Sound, Dolby Surround, Stereo, CX Encoded
Video Format: LTBX, NTSC, CLV (Extended Play)
Miscellaneous Features: Rated PG, Closed Captioned
Distributed By: Columbia Pictures Home Video
Catalog / Spine Number: 70546
IMPORTANT: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!
Cosmetic Condition:
Disc (s): Very Good - Some very light to very minor hairline surface swirls or light fingerprint marks
Jacket: Very Good - Normal shelf wear, few creases, light scuffs, slightly worn-out corners or edges and taped-up small splits on top spine
Synopsis:
Writer-director Barry Levinson is at his best when exploring his native Baltimore during his formative years: the 1950s and 1960s. This film, drawing upon family stories, tells a compelling, amusing tale about an extended group that came to America one by one, each earning enough to bring the next sibling. The new, American-born generation--represented by Aidan Quinn and Kevin Pollak--see a future in that mysterious machine known as the television, even as the older generation, led by Armin Mueller-Stahl, finds its traditions shattering or being put aside. Funny, tragic, and telling, it's a terrific, multifaceted film that ultimately details the breakdown of the oral tradition in the wake of television's burgeoning popularity.
Looking back at some recent comedies by Barry Levinson ("Envy" and "Man of the Year"), it's hard to remember the not-so-distant past when he was a major Hollywood director. A primary creative force behind TV's lauded "Homicide," he also won accolades for film projects as diverse as "Diner" in 1982 to "Wag the Dog" in 1997. And for a few years, he was on a real roll of serious minded and critically acclaimed movies--"Good Morning, Vietnam" followed by an Oscar for "Rain Man" and then another nomination for "Bugsy." Well, in between "Rain Man" and "Bugsy" (both films that I would rate at 5 stars for different reasons), he made his most personal film yet. While "Avalon" doesn't have the high profile of some of these other films (it did secure some writing awards for Levinson, however)--it is my favorite. It's a little film, a quiet character study, a wistfully nostalgic look at a more innocent time--but it's done on an epic scale.
"Avalon" is a fictionalized (and idealized) account of Levinson's own history, a Jewish family from Russia emigrates to the United States to seek prosperity and happiness. Set largely in the Baltimore of the 1940s and 1950s, "Avalon" gently examines family and the discovery of new opportunity. Plot-wise, there isn't a lot to account for--this film doesn't just seek to tell a story, but to strike a mood and create a feeling. There are just great scenes of familial interaction, funny scenes about growing up, scenes of wonder at the progress of a new country. The film might be one of the strongest family films ever. In a day where every film represents dysfunction and quirkiness, "Avalon" is a sweet throwback. This film is based on love, communication, and how people can naturally drift apart. It can come across as innocent and sanitized, perhaps, but the writing is so crisp and observant and the performances are beautiful. To further set a mood, the film is shot beautifully with gorgeous colors and expanses and the score is spot on.
The film stars a young Elijah Wood (as Levinson's surrogate, we presume). Much of the film's wonder comes from seeing things from a child's perspective. It's easy to forget how long Wood has been around what with the "Lord of the Rings" phenomenon--but this is one of his earliest starring roles. His parents are played by Aidan Quinn and Elizabeth Perkins--both giving perfectly nuanced performances. But if the film belongs to anyone--it's Armin Mueller-Stahl as the grandfather. I've always felt that if this film had a slightly larger profile on its release, that this could have been his Oscar.
"Avalon" may not be for everyone--there isn't a lot of action. But for me, it's a near perfect film. I'm not warm and cuddly, by any means, and like entertainment with an edge. But "Avalon" captures me every time. It's so charming, so thoughtful, so engaging, so literate, so beautiful to look at. I recommend this film wholeheartedly.
THIS IS NOT A DVD!!! THIS IS A 12" LASERDISC AND WILL NOT PLAY IN A DVD PLAYER
Thanks for checking my other auctions!
eCrater ID Verified!






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