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Laserdisc SWEETIE 1990 Genevieve Lemon Colston Lot#1 FS LD
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READ THIS FIRST: This is a 12-inch Diameter Laserdisc, which is NOT the same as DVD and cannot be played on a DVD player!
Laserdisc Title: "SWEETIE"
Edition: Fullscreen Edition (Single Disc)
Directed By: Jane Campion
Starring: Genevieve Lemon Karen Colston Tom Lycos Dorothy Barry Jon Darling
Special Features: ------
Production / Year: 1990 Avenue Pictures
Running Time: 99 Minutes / Color
Audio Format: Digital Sound, CX Encoded
Video Format: NTSC, CLV (Extended Play)
Miscellaneous Features: Rated R
Distributed By: Image Entertainment
Catalog / Spine Number: ID7605IV
Cosmetic Condition:
Disc (s): Very Good - Few very light to very minor hairline surface swirls or very light fingerprint marks
Jacket: Very Good - Normal shelf wear, few creases, small punch-out hole lower LHS of the jacket, slightly worn-out corners or edges but no signs of spines splitting
Synopsis:
Explores sisters, in their twenties, their parents, and family dysfunctions. Kay is gangly and slightly askew, consulting a fortune teller and then falling in love with a man because of a mole on his face and a lock of hair; then, falling out of love when he plants a tree in their yard. Sweetie is plump, imperious, self-centered, and seriously mentally ill. The parents see none of the illness, seeing only their cute child. Kay mainly feels exasperation at her sister's impositions. Slowly, the film exposes how the roots of Sweetie's illness have choked Kay's own development. Can she be released? Though she followed it with a string of brilliant films, Jane Campion will always be remembered for the shock and delight of her stunning debut feature, Sweetie. Campion focuses her askew, discerning lens on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, "Sweetie," and by extension, their entire family’s profoundly rotten roots. A feast of distinctly framed photography and captivating, idiosyncratic characters, Sweetie heralded the emergence of this enormously gifted director as well as the breakthrough of Australian cinema, which would take international film by storm in the Nineties. Chock full of director Jane Campion's trademark sensitivity, her debut, Sweetie, is slyly emotional without sentimentality. In this family drama, Kay (Karen Colston) stars as a prudish, confused loner, who chooses her mate, Louis (Tom Lycos), based on the shape of the mole on his face. As a couple, they lack passion, due to Kay's fear of the erotic. Once her mentally ill sister, Dawn, a.k.a. Sweetie (Genevieve Lemon) comes to visit, the viewer understands that Kay's temperance has evolved out of her wish to tame her wild sister. As Kay's parents weather turbulence, and after Sweetie suffers a tragic fate, Kay's happiness becomes less and less tangible, until she realizes the basic human need for love. Campion embellishes this story of disconnection with camera shots that feel lonesome; a scene in which Kay and Louis swim is shot from across the body of water, at the water's eye level. An old-fashioned setting, at least in Kay's home, mocks the idea of a functional nuclear family. On every level, Sweetie is crafted by its tone, one of melancholy infused with hope, making Campion's best film.
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eCRATER ID Verified!
Laserdisc Title: "SWEETIE"
Edition: Fullscreen Edition (Single Disc)
Directed By: Jane Campion
Starring: Genevieve Lemon Karen Colston Tom Lycos Dorothy Barry Jon Darling
Special Features: ------
Production / Year: 1990 Avenue Pictures
Running Time: 99 Minutes / Color
Audio Format: Digital Sound, CX Encoded
Video Format: NTSC, CLV (Extended Play)
Miscellaneous Features: Rated R
Distributed By: Image Entertainment
Catalog / Spine Number: ID7605IV
Cosmetic Condition:
Disc (s): Very Good - Few very light to very minor hairline surface swirls or very light fingerprint marks
Jacket: Very Good - Normal shelf wear, few creases, small punch-out hole lower LHS of the jacket, slightly worn-out corners or edges but no signs of spines splitting
Synopsis:
Explores sisters, in their twenties, their parents, and family dysfunctions. Kay is gangly and slightly askew, consulting a fortune teller and then falling in love with a man because of a mole on his face and a lock of hair; then, falling out of love when he plants a tree in their yard. Sweetie is plump, imperious, self-centered, and seriously mentally ill. The parents see none of the illness, seeing only their cute child. Kay mainly feels exasperation at her sister's impositions. Slowly, the film exposes how the roots of Sweetie's illness have choked Kay's own development. Can she be released? Though she followed it with a string of brilliant films, Jane Campion will always be remembered for the shock and delight of her stunning debut feature, Sweetie. Campion focuses her askew, discerning lens on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, "Sweetie," and by extension, their entire family’s profoundly rotten roots. A feast of distinctly framed photography and captivating, idiosyncratic characters, Sweetie heralded the emergence of this enormously gifted director as well as the breakthrough of Australian cinema, which would take international film by storm in the Nineties. Chock full of director Jane Campion's trademark sensitivity, her debut, Sweetie, is slyly emotional without sentimentality. In this family drama, Kay (Karen Colston) stars as a prudish, confused loner, who chooses her mate, Louis (Tom Lycos), based on the shape of the mole on his face. As a couple, they lack passion, due to Kay's fear of the erotic. Once her mentally ill sister, Dawn, a.k.a. Sweetie (Genevieve Lemon) comes to visit, the viewer understands that Kay's temperance has evolved out of her wish to tame her wild sister. As Kay's parents weather turbulence, and after Sweetie suffers a tragic fate, Kay's happiness becomes less and less tangible, until she realizes the basic human need for love. Campion embellishes this story of disconnection with camera shots that feel lonesome; a scene in which Kay and Louis swim is shot from across the body of water, at the water's eye level. An old-fashioned setting, at least in Kay's home, mocks the idea of a functional nuclear family. On every level, Sweetie is crafted by its tone, one of melancholy infused with hope, making Campion's best film.
Thanks for checking my other products!
eCRATER ID Verified!













